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 Selected English pOems

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chennOufmed
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MessageSujet: Re: Selected English pOems   Sam 15 Aoû - 16:10

The Raven (1845)
Edgar Allan Poe
Traduit de l'américain par Stéphane Chabrières





LE CORBEAU


Par un minuit triste, tandis que je méditais, faible et fatigué,
Sur maint vieux et curieux volume de savoir oublié,
Tandis que je dodelinais de la tête, somnolant presque, il y eut soudain un tapotement,
Comme si quelqu’un frappait doucement, frappait à la porte de ma chambre,
C’est un visiteur, murmurai-je, qui frappe à la porte de ma chambre
Rien que cela, et rien de plus.

Ah, je me souviens précisément que c’était par un mois glacial de Décembre,
et chaque tison brodait en mourant son spectre sur le sol.
Je désirais vivement le matin; j’avais cherché à tirer
De mes livres un sursis à ma tristesse, ma tristesse pour ma Lénore perdue,
Pour la rare et lumineuse jeune fille que les anges appellent Lénore,
Qu’ici-bas l’on ne nommera jamais plus.

Et le bruissement soyeux, triste et incertain de chaque rideau de pourpre
Me faisait frisonner, me remplisssait de terreurs fantastiques et inédites;
Si bien qu’alors, pour calmer les battements de mon coeur, je restais là à répéter:
“C’est un visiteur qui souhaite entrer à la porte de ma chambre,
Un visiteur qui souhaite entrer à la porte de ma chambre,
C’est cela, et rien de plus.

A cet instant mon âme se fit plus forte et n’hésita plus:
“Monsieur, dis-je, ou Madame, j’implore vraiment votre pardon;
Mais le fait est que je sommeillais, et vous êtes venu frapper si doucement,
Si faiblement vous êtes venu frapper à la porte de ma chambre, frapper à la porte de ma chambre,
Que je vous ai à peine entendu.” J’ai alors ouvert grande la porte;
Les ténèbres, et rien de plus.

Scrutant ces ténèbres, je me tins longtemps à m’interroger,
A douter, à rêver des rêves que nul mortel n’osa jamais rêver ;
Mais le silence perdura, et le calme ne donna aucun signe,
Et le seul mot qui fut prononcé fut un nom chuchoté: “Lénore!”
C’était moi qui le chuchotai, et l’écho en retour me murmura ce mot: “Lénore!”
Simplement cela, et rien de plus.


De retour dans ma chambre, toute mon âme brûlant en moi,
J’entendis de nouveau frapper mais plus fort qu’auparavant.
“Sûrement, dis-je, c’est sûrement quelque chose à la persienne de ma fenêtre:
Voyons donc ce que c’est, et élucidons ce mystère,
Laissons mon coeur se calmer un instant et élucidons ce mystère;
C’est le vent et rien de plus.”


Je poussai alors le volet, quand, avec un tumultueux battement d’ailes,
Entra un noble corbeau des jours saints de jadis;
Il ne fit nulle révérence; il ne s’arrêta pas ni n’hésita un instant;
Mais avec la mine d’un lord ou d’une lady, il se percha sur la porte de ma chambre,
Se percha, s’installa, et rien de plus.


Alors cet oiseau d’ébène induisant ma triste imagination à sourire,
Par le grave et sévère décorum de son maintien:
“Bien que ta tête, lui dis-je, soit tondue et rase, tu n’es sûrement pas un poltron,
Morbide, sinistre et ancien corbeau, voyageant depuis les rivages plutoniens de la nuit,
Dis-moi quel est ton nom seigneurial sur les rivages plutoniens de la nuit!”
Le corbeau dit: “Jamais plus!”


Je m’émerveillai que ce disgracieux volatile comprenne aussi bien ce langage,
Bien que sa réponse ne fût ni très sensée ni très pertiente;
Car on doit convenir qu’aucun homme vivant
N’eut l’occasion de voir un oiseau au-dessus de la porte de sa chambre,
Un oiseau ou une bête sur le buste sculpté au-dessus de la porte de sa chambre,
Et affublé du nom; “Jamais plus.”


Mais ce corbeau, perché solitairement sur ce buste placide, ne prononçait
Que ce seul mot, comme si son âme se répandait en ce seul mot.
Il ne prononça rien de plus, il ne bougea pas une plume,
Jusqu’à ce que je murmure faiblement: “d’autres amis se sont déjà envolés,
Au matin il s’envolera à son tour, comme mes espérances déjà envolées.”
L’oiseau dit alors: “Jamais plus.”


Surpris par cette réplique brisant le silence et dite avec autant d’aplomb,
“Sans doute, dis-je, cette parole est son seul acquis,
Qu’il a apprise chez un malheureux maître que le Malheur impitoyable
A poursuivi de plus en plus près, jusqu’à ces chansons n’aient plus qu’un seul refrain,
Jusqu’à ce que les chants funèbres de son Espérance ne résonnent plus
Qu’au seul refrain mélancolique de: ”Jamais plus.


”Mais le corbeau induisant encore toute mon âme à sourire,
Je roulai soudain un siège à coussins en face de l’oiseau, du buste et de la porte;
Puis, m’enfonçant dans le velours, j’en vins à enchaîner les idées aux idées,
A penser à ce que cet augural oiseau de jadis,
Ce que ce sinistre, disgracieux, morbide, maigre, augural oiseau de jadis
Voulait dire en croassant ce: “Jamais plus.”


Je restai assis, à conjecturer, mais ne soufflant nulle syllabe
Au volatile dont les yeux ardents me brûlaient maintenant jusqu’au fond du coeur;
Je cherchai à en savoir toujours plus, ma tête reposant à l’aise
Sur le velours du coussin que nimbait la lumière de la lampe,
Ce velours violet que nimbait la lumière de la lampe,
Qu’Elle ne pressera, ah! jamais plus!

Alors, il me sembla que l’air devenait plus dense, parfumé par un encensoir invisible,
Que balaçaient des Séraphins dont les pas frôlaient le tapis de ma chambre.
“Misérable,” m’écriai-je, ton Dieu t’a envoyé, par ses anges il t’a envoyé
Du répit, du répit et du népenthès dans tes souvenirs de Lénore!
Bois, oh bois ce bon nepenthès et oublie cette Lénore perdue!”
Le corbeau dit: “Jamais plus.”


“Prophète!” dis-je, “Etre de malheur, oiseau ou démon!
Que le Tentateur t’ait envoyé, ou que la tempête t’ait fait échouer ici,
Désolé mais encore intrépide sur cette terre déserte et enchantée,
Dans cette maison hantée par l’horreur, dis-moi sincèrement, je t’en supplie,
Existe-t’il du baume de Judée? Dis-le moi, dis-le moi, je t”en supplie!”
Le corbeau dit: “Jamais plus.”


“Prophète!” dis-je, être de malheur, oiseau ou démon!
Par ce ciel tendu au-dessus de nos têtes, par ce Cieu que nous adorons,
Dis à cette âme chargée de chagrin si, dans le distant Eden,
Elle étreindra une sainte jeune fille que les anges appellent Lénore!”
Le corbeau dit: “Jamais plus.”


“Que cette parole soit le signal de notre séparation, oiseau ou démon!” hurlai-je, en me redressant.
“Retourne à la tempête et aux rivages plutoniens de la nuit!
Ne laisse aucune plume comme symbole du mensonge que ton âme a proféré!
Laisse ma solitude intacte! Quitte le buste au-dessus de ma porte!
Ote ton bec de mon coeur, et éloigne ta présence de ma porte!”
Le corbeau dit: “Jamais plus.


Et le corveau, ne volant jamais, trône toujours, trône toujours
Sur le buste pâle de Pallas, juste au-dessus de la porte de ma chambre;
Et ses yeux ressemblent en tout point à ceux d’un démon qui rêve,
Et la lumière de la lampe ruisselant sur lui projette son ombre sur le sol;
Et mon âme, de cette ombre flottante qui gît sur le sol,
Ne s’élevera - jamais plus!
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MessageSujet: Re: Selected English pOems   Mar 25 Aoû - 13:45

A Red, Red Rose





O, my Luve's like a red, red rose,
That's newly sprung in June.
O, my Luve's like a melodie
That's sweetly play'd in tune.

As fair as thou, my bonnie lass,
So deep in luve am I;
And I will love thee still, my dear,
Till a' the seas gang dry.

Till a' the seas gang dry, my dear,
And the rocks melt wi' the sun:
I will love thess till, my dear,
While the sands o' life shall run:

And fare thee well, my only luve!
And fare thee weel, a while!
And I will come again, my luve,
Tho' it ware ten thousand mile.


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chennOufmed
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MessageSujet: Re: Selected English pOems   Mar 25 Aoû - 13:49



The Poem, “A Red, Red Rose”
One of the most famous songs that Robert Burns wrote for this project and first published in 1794 was “A Red, Red Rose.” Burns wrote it as a traditional ballad, four verses of four lines each.
“A Red, Red Rose” begins with a quatrain containing two similes. Burns compares his love with a springtime blooming rose and then with a sweet melody. These are popular poetic images and this is the stanza most commonly quoted from the poem.
The second and third stanzas become increasingly complex, ending with the metaphor of the “sands of life,” or hourglass. One the one hand we are given the image of his love lasting until the seas run dry and the rocks melt with the sun, wonderfully poetic images. On the other hand Burns reminds us of the passage of time and the changes that result. That recalls the first stanza and its image of a red rose, newly sprung in June, which we know from experience will change and decay with time. These are complex and competing images, typical of the more mature Robert Burns.
The final stanza wraps up the poem’s complexity with a farewell and a promise of return.
“A Red, Red Rose” is written as a ballad with four stanzas of four lines each. Each stanza has alternating lines of four beats, or iambs, and three beats. The first and third lines have four iambs, consisting of an unstressed syllable followed by a stressed syllable, as in da-dah, da-dah, da-dah, da-dah. The second and fourth lines consist of three iambs. This form of verse is well adapted for singing or recitation and originated in the days when poetry existed in verbal rather than written form.
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chennOufmed
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MessageSujet: Re: Selected English pOems   Mar 25 Aoû - 13:55



A Red, Red Rose


Robert Burns

O my Luve's like a red, red rose
That's newly sprung in June;
O my Luve's like the melodie
That's sweetly played in tune.

As fair art thou, my bonnie lass,
So deep in luve am I;
And I will luve thee still, my dear,
Till a' the seas gang dry:

Till a' the seas gang dry, my dear,
And the rocks melt wi' the sun;
I will luve thee still, my dear,
While the sands o' life shall run.

And fare thee weel, my only Luve,
And fare thee weel awhile!
And I will come again, my Luve,
Tho' it ware ten thousand mile.
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chennOufmed
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MessageSujet: Re: Selected English pOems   Mar 8 Sep - 20:29




Wilfred Owen

"Anthem for Doomed Youth"

What passing-bells for these who die as cattle?
Only the monstrous anger of the guns.
Only the stuttering rifles' rapid rattle
Can patter out their hasty orisons.
No mockeries now for them; no prayers nor bells;
Nor any voice of mourning save the choirs, --
The shrill, demented choirs of wailing shells;
And bugles calling for them from sad shires.
What candles may be held to speed them all?
Not in the hands of boys but in their eyes
Shall shine the holy glimmers of goodbyes.
The pallor of girls' brows shall be their pall;
Their flowers the tenderness of patient minds,
And each slow dusk, a drawing-down of blinds.
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saidani miloudi
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MessageSujet: Re: Selected English pOems   Mer 9 Sep - 13:46






Thanks Chennoufmed.
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http://www.hona.ahlamontada.com
chennOufmed
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MessageSujet: Re: Selected English pOems   Dim 1 Nov - 12:20

youa are welcome dear friend milOudy
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chennOufmed
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MessageSujet: Re: Selected English pOems   Dim 1 Nov - 12:25



I Would Live in Your Love



I would live in your love as the sea-grasses live in the sea,

Borne up by each wave as it passes, drawn down by each wave that recedes;
I would empty my soul of the dreams that have gathered in me,
I would beat with your heart as it beats, I would follow your soul
as it leads.


Sarah Teasdale
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MessageSujet: Re: Selected English pOems   Dim 1 Nov - 12:39

chennOufmed a écrit:


I Would Live in Your Love



I would live in your love as the sea-grasses live in the sea,

Borne up by each wave as it passes, drawn down by each wave that recedes;
I would empty my soul of the dreams that have gathered in me,
I would beat with your heart as it beats, I would follow your soul
as it leads.


Sarah Teasdale

Sara Teasdale was undoubtedly one of the most popular writers associated with the Chicago Renaissance; her many volumes of poetry often went into several printings and her work has remained in print for decades. Teasdale was known for her skillful use of traditional poetic forms at a time when many of her contemporaries were experimenting with free verse poetry and unconventional language use. A St. Louis, Missouri, native, Teasdale traveled as a young woman, developing an extended community of literary friends, especially in Chicago’s vibrant literary scene. Chief among these were the poets Vachel Lindsay and Eunice Tietjens and editors John Hall Wheelock and Harriet Monroe. Of meeting Teasdale early in her career, Monroe wrote, “She was as delicate as a lily, but under the white-petaled perfume one felt in her presence an impassioned intensity of feeling which her brief lyrics were then beginning to express.”1 Of her 1926 volume Dark of the Moon Monroe wrote: “when a powerful and engaging personality finds a truly lyric expression with the completeness recorded in successive groups of Sara Teasdale’s best poems, we have a seemingly indestructible combination, a prophecy of what we short-sighted and short-lived mortals call immortality.”2

http://beinecke.library.yale.edu/awia/gallery/teasdale.html
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MessageSujet: Re: Selected English pOems   Dim 1 Nov - 13:11

Great!
Thank you friend!

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Dridro
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MessageSujet: Re: Selected English pOems   Dim 24 Jan - 8:43

Mutability

Percy Bysshe Shelley (1792-1822)

The flower that smiles today
Tomorrow dies;
All that we wish to stay
Tempts and then flies.
What is this world's delight?
Lightning that mocks the night,
Brief even as bright.

Virtue, how frail it is!
Friendship how rare!
Love, how it sells poor bliss
For proud despair!
But we, though soon they fall,
Survive their joy, and all
Which ours we call.

Whilst skies are blue and bright,
Whilst flowers are gay,
Whilst eyes that change ere night
Make glad the day;
Whilst yet the calm hours creep,
Dream thou and from thy sleep
Then wake to weep.


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J'aime mieux être homme à paradoxes
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MessageSujet: Re: Selected English pOems   Mar 2 Fév - 17:25



Edward Housman


If Truth in Hearts That Perish



If truth in hearts that perish

Could move the powers on high,

I think the love I bear you

Should make you not to die.



Sure, sure, if stedfast meaning,

If single thought could save,

The world might end to-morrow,

You should not see the grave.



This long and sure-set liking,

This boundless will to please,

--Oh, you should live for ever,

If there were help in these.



But now, since all is idle,

To this lost heart be kind,

Ere to a town you journey

Where friends are ill to find.



Alfred Edward Housman

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MessageSujet: Re: Selected English pOems   Mar 2 Fév - 17:39

I likkkkkkkkkkkkkkkkkkkkke Thanks brother Med

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MessageSujet: Re: Selected English pOems   Dim 14 Fév - 7:57

William Wordsworth </B>



The Prelude. (book V )


Arab dream




WHEN Contemplation, like the night-calm felt
Through earth and sky, spreads widely, and sends deep
Into the soul its tranquillising power,
Even then I sometimes grieve for thee, O Man,
Earth's paramount Creature! not so much for woes
That thou endurest; heavy though that weight be,
Cloud-like it mounts, or touched with light divine
Doth melt away; but for those palms achieved
Through length of time, by patient exercise
Of study and hard thought; there, there, it is
That sadness finds its fuel. Hitherto,
In progress through this Verse, my mind hath looked
Upon the speaking face of earth and heaven
As her prime teacher, intercourse with man
Established by the sovereign Intellect,
Who through that bodily image hath diffused,
As might appear to the eye of fleeting time,
A deathless spirit. Thou also, man! hast wrought,
For commerce of thy nature with herself,
Things that aspire to unconquerable life;
And yet we feel--we cannot choose but feel--
That they must perish. Tremblings of the heart
It gives, to think that our immortal being
No more shall need such garments; and yet man,
As long as he shall be the child of earth,
Might almost "weep to have" what he may lose,
Nor be himself extinguished, but survive,
Abject, depressed, forlorn, disconsolate.
A thought is with me sometimes, and I say,--
Should the whole frame of earth by inward throes
Be wrenched, or fire come down from far to scorch
Her pleasant habitations, and dry up
Old Ocean, in his bed left singed and bare,
Yet would the living Presence still subsist
Victorious, and composure would ensue,
And kindlings like the morning--presage sure
Of day returning and of life revived.
But all the meditations of mankind,
Yea, all the adamantine holds of truth
By reason built, or passion, which itself
Is highest reason in a soul sublime;
The consecrated works of Bard and Sage,
Sensuous or intellectual, wrought by men,
Twin labourers and heirs of the same hopes;
Where would they be? Oh! why hath not the Mind
Some element to stamp her image on
In nature somewhat nearer to her own?
Why, gifted with such powers to send abroad
Her spirit, must it lodge in shrines so frail?

One day, when from my lips a like complaint
Had fallen in presence of a studious friend,
He with a smile made answer, that in truth
'Twas going far to seek disquietude;
But on the front of his reproof confessed
That he himself had oftentimes given way
To kindred hauntings. Whereupon I told,
That once in the stillness of a summer's noon,
While I was seated in a rocky cave
By the sea-side, perusing, so it chanced,
The famous history of the errant knight
Recorded by Cervantes, these same thoughts
Beset me, and to height unusual rose,
While listlessly I sate, and, having closed
The book, had turned my eyes toward the wide sea.
On poetry and geometric truth,
And their high privilege of lasting life,
From all internal injury exempt,
I mused; upon these chiefly: and at length,
My senses yielding to the sultry air,
Sleep seized me, and I passed into a dream.
I saw before me stretched a boundless plain
Of sandy wilderness, all black and void,
And as I looked around, distress and fear
Came creeping over me, when at my side,
Close at my side, an uncouth shape appeared
Upon a dromedary, mounted high.
He seemed an Arab of the Bedouin tribes:
A lance he bore, and underneath one arm
A stone, and in the opposite hand a shell
Of a surpassing brightness. At the sight
Much I rejoiced, not doubting but a guide
Was present, one who with unerring skill
Would through the desert lead me; and while yet
I looked and looked, self-questioned what this freight
Which the new-comer carried through the waste
Could mean, the Arab told me that the stone
(To give it in the language of the dream)
Was "Euclid's Elements," and "This," said he,
"Is something of more worth;" and at the word
Stretched forth the shell, so beautiful in shape,
In colour so resplendent, with command
That I should hold it to my ear. I did so,
And heard that instant in an unknown tongue,
Which yet I understood, articulate sounds,
A loud prophetic blast of harmony;
An Ode, in passion uttered, which foretold
Destruction to the children of the earth
By deluge, now at hand. No sooner ceased
The song, than the Arab with calm look declared
That all would come to pass of which the voice 0
Had given forewarning, and that he himself
Was going then to bury those two books:
The one that held acquaintance with the stars,
And wedded soul to soul in purest bond
Of reason, undisturbed by space or time;
The other that was a god, yea many gods,
Had voices more than all the winds, with power
To exhilarate the spirit, and to soothe,
Through every clime, the heart of human kind.
While this was uttering, strange as it may seem,
I wondered not, although I plainly saw
The one to be a stone, the other a shell;
Nor doubted once but that they both were books,
Having a perfect faith in all that passed.
Far stronger, now, grew the desire I felt
To cleave unto this man; but when I prayed
To share his enterprise, he hurried on
Reckless of me: I followed, not unseen,
For oftentimes he cast a backward look,
Grasping his twofold treasure.--Lance in rest,
He rode, I keeping pace with him; and now
He, to my fancy, had become the knight
Whose tale Cervantes tells; yet not the knight,
But was an Arab of the desert too;
Of these was neither, and was both at once.
His countenance, meanwhile, grew more disturbed;
And, looking backwards when he looked, mine eyes
Saw, over half the wilderness diffused,
A bed of glittering light: I asked the cause:
"It is," said he, "the waters of the deep
Gathering upon us;" quickening then the pace
Of the unwieldy creature he bestrode,
He left me: I called after him aloud;
He heeded not; but, with his twofold charge
Still in his grasp, before me, full in view,
Went hurrying o'er the illimitable waste,
With the fleet waters of a drowning world
In chase of him; whereat I waked in terror,
And saw the sea before me, and the book,
In which I had been reading, at my side.

Full often, taking from the world of sleep
This Arab phantom, which I thus beheld,
This semi-Quixote, I to him have given
A substance, fancied him a living man,
A gentle dweller in the desert, crazed
By love and feeling, and internal thought
Protracted among endless solitudes;
Have shaped him wandering upon this quest!
Nor have I pitied him; but rather felt
Reverence was due to a being thus employed;
And thought that, in the blind and awful lair
Of such a madness, reason did lie couched.
Enow there are on earth to take in charge
Their wives, their children, and their virgin loves,
Or whatsoever else the heart holds dear;
Enow to stir for these; yea, will I say,
Contemplating in soberness the approach
Of an event so dire, by signs in earth
Or heaven made manifest, that I could share
That maniac's fond anxiety, and go
Upon like errand. Oftentimes at least
Me hath such strong entrancement overcome,
When I have held a volume in my hand,
Poor earthly casket of immortal verse,
Shakespeare, or Milton, labourers divine!

Great and benign, indeed, must be the power
Of living nature, which could thus so long
Detain me from the best of other guides
And dearest helpers, left unthanked, unpraised,
Even in the time of lisping infancy;
And later down, in prattling childhood even,
While I was travelling back among those days,
How could I ever play an ingrate's part?
Once more should I have made those bowers resound,
By intermingling strains of thankfulness
With their own thoughtless melodies; at least
It might have well beseemed me to repeat
Some simply fashioned tale, to tell again,
In slender accents of sweet verse, some tale
That did bewitch me then, and soothes me now.
O Friend! O Poet! brother of my soul,
Think not that I could pass along untouched
By these remembrances. Yet wherefore speak?
Why call upon a few weak words to say
What is already written in the hearts
Of all that breathe?--what in the path of all
Drops daily from the tongue of every child,
Wherever man is found? The trickling tear
Upon the cheek of listening Infancy
Proclaims it, and the insuperable look
That drinks as if it never could be full.

That portion of my story I shall leave
There registered: whatever else of power
Or pleasure sown, or fostered thus, may be
Peculiar to myself, let that remain
Where still it works, though hidden from all search
Among the depths of time. Yet is it just
That here, in memory of all books which lay
Their sure foundations in the heart of man,
Whether by native prose, or numerous verse, 0
That in the name of all inspired souls--
From Homer the great Thunderer, from the voice
That roars along the bed of Jewish song,
And that more varied and elaborate,
Those trumpet-tones of harmony that shake
Our shores in England,--from those loftiest notes
Down to the low and wren-like warblings, made
For cottagers and spinners at the wheel,
And sun-burnt travellers resting their tired limbs,
Stretched under wayside hedge-rows, ballad tunes,
Food for the hungry ears of little ones,
And of old men who have survived their joys--
'Tis just that in behalf of these, the works,
And of the men that framed them, whether known
Or sleeping nameless in their scattered graves,
That I should here assert their rights, attest
Their honours, and should, once for all, pronounce
Their benediction; speak of them as Powers
For ever to be hallowed; only less,
For what we are and what we may become,
Than Nature's self, which is the breath of God,
Or His pure Word by miracle revealed.

Rarely and with reluctance would I stoop
To transitory themes; yet I rejoice,
And, by these thoughts admonished, will pour out
Thanks with uplifted heart, that I was reared
Safe from an evil which these days have laid
Upon the children of the land, a pest
That might have dried me up, body and soul.
This verse is dedicate to Nature's self,
And things that teach as Nature teaches: then,
Oh! where had been the Man, the Poet where,
Where had we been, we two, beloved Friend!
If in the season of unperilous choice,
In lieu of wandering, as we did, through vales
Rich with indigenous produce, open ground
Of Fancy, happy pastures ranged at will,
We had been followed, hourly watched, and noosed,
Each in his several melancholy walk
Stringed like a poor man's heifer at its feed,
Led through the lanes in forlorn servitude;
Or rather like a stalled ox debarred
From touch of growing grass, that may not taste
A flower till it have yielded up its sweets
A prelibation to the mower's scythe.

Behold the parent hen amid her brood,
Though fledged and feathered, and well pleased to part
And straggle from her presence, still a brood,
And she herself from the maternal bond
Still undischarged; yet doth she little more
Than move with them in tenderness and love,
A centre to the circle which they make;
And now and then, alike from need of theirs
And call of her own natural appetites,
She scratches, ransacks up the earth for food,
Which they partake at pleasure. Early died
My honoured Mother, she who was the heart
And hinge of all our learnings and our loves:
She left us destitute, and, as we might,
Trooping together. Little suits it me
To break upon the sabbath of her rest
With any thought that looks at others' blame;
Nor would I praise her but in perfect love.
Hence am I checked: but let me boldly say,
In gratitude, and for the sake of truth,
Unheard by her, that she, not falsely taught,
Fetching her goodness rather from times past,
Than shaping novelties for times to come,
Had no presumption, no such jealousy,
Nor did by habit of her thoughts mistrust
Our nature, but had virtual faith that He
Who fills the mother's breast with innocent milk,
Doth also for our nobler part provide,
Under His great correction and control,
As innocent instincts, and as innocent food;
Or draws, for minds that are left free to trust
In the simplicities of opening life,
Sweet honey out of spurned or dreaded weeds.
This was her creed, and therefore she was pure
From anxious fear of error or mishap,
And evil, overweeningly so called;
Was not puffed up by false unnatural hopes,
Nor selfish with unnecessary cares,
Nor with impatience from the season asked
More than its timely produce; rather loved
The hours for what they are, than from regard
Glanced on their promises in restless pride.
Such was she--not from faculties more strong
Than others have, but from the times, perhaps,
And spot in which she lived, and through a grace
Of modest meekness, simple-mindedness,
A heart that found benignity and hope,
Being itself benign.
My drift I fear
Is scarcely obvious; but, that common sense
May try this modern system by its fruits,
Leave let me take to place before her sight
A specimen pourtrayed with faithful hand.
Full early trained to worship seemliness,
This model of a child is never known
To mix in quarrels; that were far beneath 0
Its dignity; with gifts he bubbles o'er
As generous as a fountain; selfishness
May not come near him, nor the little throng
Of flitting pleasures tempt him from his path;
The wandering beggars propagate his name,
Dumb creatures find him tender as a nun,
And natural or supernatural fear,
Unless it leap upon him in a dream,
Touches him not. To enhance the wonder, see
How arch his notices, how nice his sense
Of the ridiculous; not blind is he
To the broad follies of the licensed world,
Yet innocent himself withal, though shrewd,
And can read lectures upon innocence;
A miracle of scientific lore,
Ships he can guide across the pathless sea,
And tell you all their cunning; he can read
The inside of the earth, and spell the stars;
He knows the policies of foreign lands;
Can string you names of districts, cities, towns,
The whole world over, tight as beads of dew
Upon a gossamer thread; he sifts, he weighs;
All things are put to question; he must live
Knowing that he grows wiser every day
Or else not live at all, and seeing too
Each little drop of wisdom as it falls
Into the dimpling cistern of his heart:
For this unnatural growth the trainer blame,
Pity the tree.--Poor human vanity,
Wert thou extinguished, little would be left
Which he could truly love; but how escape?
For, ever as a thought of purer birth
Rises to lead him toward a better clime,
Some intermeddler still is on the watch
To drive him back, and pound him, like a stray,
Within the pinfold of his own conceit.
Meanwhile old grandame earth is grieved to find
The playthings, which her love designed for him,
Unthought of: in their woodland beds the flowers
Weep, and the river sides are all forlorn.
Oh! give us once again the wishing-cap
Of Fortunatus, and the invisible coat
Of Jack the Giant-killer, Robin Hood,
And Sabra in the forest with St. George!
The child, whose love is here, at least, doth reap
One precious gain, that he forgets himself.

These mighty workmen of our later age,
Who, with a broad highway, have overbridged
The froward chaos of futurity,
Tamed to their bidding; they who have the skill
To manage books, and things, and make them act
On infant minds as surely as the sun
Deals with a flower; the keepers of our time,
The guides and wardens of our faculties,
Sages who in their prescience would control
All accidents, and to the very road
Which they have fashioned would confine us down,
Like engines; when will their presumption learn,
That in the unreasoning progress of the world
A wiser spirit is at work for us,
A better eye than theirs, most prodigal
Of blessings, and most studious of our good,
Even in what seem our most unfruitful hours?

There was a Boy: ye knew him well, ye cliffs
And islands of Winander!--many a time
At evening, when the earliest stars began
To move along the edges of the hills,
Rising or setting, would he stand alone
Beneath the trees or by the glimmering lake,

And there, with fingers interwoven, both hands
Pressed closely palm to palm, and to his mouth
Uplifted, he, as through an instrument,
Blew mimic hootings to the silent owls,
That they might answer him; and they would shout
Across the watery vale, and shout again,
Responsive to his call, with quivering peals,
And long halloos and screams, and echoes loud,
Redoubled and redoubled, concourse wild
Of jocund din; and, when a lengthened pause
Of silence came and baffled his best skill,
Then sometimes, in that silence while he hung
Listening, a gentle shock of mild surprise
Has carried far into his heart the voice
Of mountain torrents; or the visible scene
Would enter unawares into his mind,
With all its solemn imagery, its rocks,
Its woods, and that uncertain heaven, received
Into the bosom of the steady lake.

This Boy was taken from his mates, and died
In childhood, ere he was full twelve years old.
Fair is the spot, most beautiful the vale
Where he was born; the grassy churchyard hangs
Upon a slope above the village school,
And through that churchyard when my way has led
On summer evenings, I believe that there
A long half hour together I have stood
Mute, looking at the grave in which he lies!
Even now appears before the mind's clear eye
That self-same village church; I see her sit
(The throned Lady whom erewhile we hailed) 0
On her green hill, forgetful of this Boy
Who slumbers at her feet,--forgetful, too,
Of all her silent neighbourhood of graves,
And listening only to the gladsome sounds
That, from the rural school ascending, play
Beneath her and about her. May she long
Behold a race of young ones like to those
With whom I herded!--(easily, indeed,
We might have fed upon a fatter soil
Of arts and letters--but be that forgiven)--
A race of real children; not too wise,
Too learned, or too good; but wanton, fresh,
And bandied up and down by love and hate;
Not unresentful where self-justified;
Fierce, moody, patient, venturous, modest, shy;
Mad at their sports
like withered leaves in winds;
Though doing wrong and suffering, and full oft
Bending beneath our life's mysterious weight
Of pain, and doubt, and fear, yet yielding not
In happiness to the happiest upon earth.
Simplicity in habit, truth in speech,
Be these the daily strengtheners of their minds;
May books and Nature be their early joy!
And knowledge, rightly honoured with that name--
Knowledge not purchased by the loss of power!

Well do I call to mind the very week
When I was first intrusted to the care
Of that sweet Valley; when its paths, its shores,
And brooks were like a dream of novelty
To my half-infant thoughts; that very week,
While I was roving up and down alone,
Seeking I knew not what, I chanced to cross
One of those open fields, which, shaped like ears,
Make green peninsulas on Esthwaite's Lake:
Twilight was coming on, yet through the gloom
Appeared distinctly on the opposite shore
A heap of garments, as if left by one
Who might have there been bathing. Long I watched,
But no one owned them; meanwhile the calm lake
Grew dark with all the shadows on its breast,
And, now and then, a fish up-leaping snapped
The breathless stillness. The succeeding day,
Those unclaimed garments telling a plain tale
Drew to the spot an anxious crowd; some looked
In passive expectation from the shore,
While from a boat others hung o'er the deep,
Sounding with grappling irons and long poles.
At last, the dead man, 'mid that beauteous scene
Of trees and hills and water, bolt upright
Rose, with his ghastly face, a spectre shape
Of terror; yet no soul-debasing fear,
Young as I was, a child not nine years old,
Possessed me, for my inner eye had seen
Such sights before, among the shining streams
Of faery land, the forest of romance.
Their spirit hallowed the sad spectacle
With decoration of ideal grace;
A dignity, a smoothness, like the works
Of Grecian art, and purest poesy.

A precious treasure had I long possessed,
A little yellow, canvas-covered book,
A slender abstract of the Arabian tales;
And, from companions in a new abode,
When first I learnt, that this dear prize of mine
Was but a block hewn from a mighty quarry--
That there were four large volumes, laden all
With kindred matter, 'twas to me, in truth,
A promise scarcely earthly. Instantly,
With one not richer than myself, I made
A covenant that each should lay aside
The moneys he possessed, and hoard up more,
Till our joint savings had amassed enough
To make this book our own. Through several months,
In spite of all temptation, we preserved
Religiously that vow; but firmness failed,
Nor were we ever masters of our wish.

And when thereafter to my father's house
The holidays returned me, there to find
That golden store of books which I had left,
What joy was mine! How often in the course
Of those glad respites, though a soft west wind
Ruffled the waters to the angler's wish,
For a whole day together, have I lain
Down by thy side, O Derwent! murmuring stream,
On the hot stones, and in the glaring sun,
And there have read, devouring as I read,
Defrauding the day's glory, desperate!
Till with a sudden bound of smart reproach,
Such as an idler deals with in his shame,
I to the sport betook myself again.

A gracious spirit o'er this earth presides,
And o'er the heart of man; invisibly
It comes, to works of unreproved delight,
And tendency benign, directing those
Who care not, know not, think not, what they do.
The tales that charm away the wakeful night
In Araby, romances; legends penned
For solace by dim light of monkish lamps;
Fictions, for ladies of their love, devised
By youthful squires; adventures endless, spun 0
By the dismantled warrior in old age,
Out of the bowels of those very schemes
In which his youth did first extravagate;
These spread like day, and something in the shape
Of these will live till man shall be no more.
Dumb yearnings, hidden appetites, are ours,
And 'they must' have their food. Our childhood sits,
Our simple childhood, sits upon a throne
That hath more power than all the elements.
I guess not what this tells of Being past,
Nor what it augurs of the life to come;
But so it is; and, in that dubious hour--
That twilight--when we first begin to see
This dawning earth, to recognise, expect,
And, in the long probation that ensues,
The time of trial, ere we learn to live
In reconcilement with our stinted powers;
To endure this state of meagre vassalage,
Unwilling to forego, confess, submit,
Uneasy and unsettled, yoke-fellows
To custom, mettlesome, and not yet tamed
And humbled down--oh! then we feel, we feel,
We know where we have friends. Ye dreamers, then,
Forgers of daring tales! we bless you then,
Impostors, drivellers, dotards, as the ape
Philosophy will call you: 'then' we feel
With what, and how great might ye are in league,
Who make our wish, our power, our thought a deed,
An empire, a possession,--ye whom time
And seasons serve; all Faculties to whom
Earth crouches, the elements are potter's clay,
Space like a heaven filled up with northern lights,
Here, nowhere, there, and everywhere at once.

Relinquishing this lofty eminence
For ground, though humbler, not the less a tract
Of the same isthmus, which our spirits cross
In progress from their native continent
To earth and human life, the Song might dwell
On that delightful time of growing youth,
When craving for the marvellous gives way
To strengthening love for things that we have seen;
When sober truth and steady sympathies,
Offered to notice by less daring pens,
Take firmer hold of us, and words themselves
Move us with conscious pleasure.
I am sad
At thought of rapture now for ever flown;
Almost to tears I sometimes could be sad
To think of, to read over, many a page,
Poems withal of name, which at that time
Did never fail to entrance me, and are now
Dead in my eyes, dead as a theatre
Fresh emptied of spectators. Twice five years
Or less I might have seen, when first my mind
With conscious pleasure opened to the charm
Of words in tuneful order, found them sweet
For their own 'sakes', a passion, and a power;
And phrases pleased me chosen for delight,
For pomp, or love. Oft, in the public roads
Yet unfrequented, while the morning light
Was yellowing the hill tops, I went abroad
With a dear friend, and for the better part
Of two delightful hours we strolled along
By the still borders of the misty lake,
Repeating favourite verses with one voice,
Or conning more, as happy as the birds
That round us chaunted. Well might we be glad,
Lifted above the ground by airy fancies,
More bright than madness or the dreams of wine;
And, though full oft the objects of our love
Were false, and in their splendour overwrought,
Yet was there surely then no vulgar power
Working within us,--nothing less, in truth,
Than that most noble attribute of man,
Though yet untutored and inordinate,
That wish for something loftier, more adorned,
Than is the common aspect, daily garb,
Of human life. What wonder, then, if sounds
Of exultation echoed through the groves!
For, images, and sentiments, and words,
And everything encountered or pursued
In that delicious world of poesy,
Kept holiday, a never-ending show,
With music, incense, festival, and flowers!

Here must we pause: this only let me add,
From heart-experience, and in humblest sense
Of modesty, that he, who in his youth
A daily wanderer among woods and fields
With living Nature hath been intimate,
Not only in that raw unpractised time
Is stirred to ecstasy, as others are,
By glittering verse; but further, doth receive,
In measure only dealt out to himself,
Knowledge and increase of enduring joy
From the great Nature that exists in works
Of mighty Poets. Visionary power
Attends the motions of the viewless winds,
Embodied in the mystery of words:
There, darkness makes abode, and all the host
Of shadowy things work endless changes,--there,
As in a mansion like their proper home
, 0
Even forms and substances are circumfused
By that transparent veil with light divine,
And, through the turnings intricate of verse,
Present themselves as objects recognised,
In flashes, and with glory not their own.

</FONT></FONT>

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MessageSujet: Re: Selected English pOems   Dim 14 Fév - 8:21





poet laureate of Harlem James Langston Hughes of Joplin, Missouri (1902-1967) Hughes rose to become a major American poet
and central figure of the Harlem Renaissance. He lived and traveled widely, including Africa,Mexico, France and Asia. Upon the publication of his first volume of poetry, The Weary Blues (1926), he inaugurated a tradition of poetry inflected with the Afrocentric rhythms and tonalities of blues and jazz, and remained dedicated to the depiction of urban African American folk life. Hughes also wrote plays, a novel, two autobiographies and newspaper columns.





Dreams



Hold fast to dreams
For if dreams die
Life is a broken-winged bird
That cannot fly.
Hold fast to dreams
For when dreams go
Life is a barren field
Frozen with snow.


Langston Hughes

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MessageSujet: Re: Selected English pOems   Dim 14 Fév - 17:08

chennOufmed a écrit:
William Wordsworth



The Prelude. (book V )


Arab dream




WHEN Contemplation, like the night-calm felt
Through earth and sky, spreads widely, and sends deep
Into the soul its tranquillising power,
Even then I sometimes grieve for thee, O Man,
Earth's paramount Creature! not so much for woes
That thou endurest; heavy though that weight be,
Cloud-like it mounts, or touched with light divine
Doth melt away; but for those palms achieved
Through length of time, by patient exercise
Of study and hard thought; there, there, it is
That sadness finds its fuel. Hitherto,
In progress through this Verse, my mind hath looked
Upon the speaking face of earth and heaven
As her prime teacher, intercourse with man
Established by the sovereign Intellect,
Who through that bodily image hath diffused,
As might appear to the eye of fleeting time,
A deathless spirit. Thou also, man! hast wrought,
For commerce of thy nature with herself,
Things that aspire to unconquerable life;
And yet we feel--we cannot choose but feel--
That they must perish. Tremblings of the heart
It gives, to think that our immortal being
No more shall need such garments; and yet man,
As long as he shall be the child of earth,
Might almost "weep to have" what he may lose,
Nor be himself extinguished, but survive,
Abject, depressed, forlorn, disconsolate.
A thought is with me sometimes, and I say,--
Should the whole frame of earth by inward throes
Be wrenched, or fire come down from far to scorch
Her pleasant habitations, and dry up
Old Ocean, in his bed left singed and bare,
Yet would the living Presence still subsist
Victorious, and composure would ensue,
And kindlings like the morning--presage sure
Of day returning and of life revived.
But all the meditations of mankind,
Yea, all the adamantine holds of truth
By reason built, or passion, which itself
Is highest reason in a soul sublime;
The consecrated works of Bard and Sage,
Sensuous or intellectual, wrought by men,
Twin labourers and heirs of the same hopes;
Where would they be? Oh! why hath not the Mind
Some element to stamp her image on
In nature somewhat nearer to her own?
Why, gifted with such powers to send abroad
Her spirit, must it lodge in shrines so frail?

One day, when from my lips a like complaint
Had fallen in presence of a studious friend,
He with a smile made answer, that in truth
'Twas going far to seek disquietude;
But on the front of his reproof confessed
That he himself had oftentimes given way
To kindred hauntings. Whereupon I told,
That once in the stillness of a summer's noon,
While I was seated in a rocky cave
By the sea-side, perusing, so it chanced,
The famous history of the errant knight
Recorded by Cervantes, these same thoughts
Beset me, and to height unusual rose,
While listlessly I sate, and, having closed
The book, had turned my eyes toward the wide sea.
On poetry and geometric truth,
And their high privilege of lasting life,
From all internal injury exempt,
I mused; upon these chiefly: and at length,
My senses yielding to the sultry air,
Sleep seized me, and I passed into a dream.
I saw before me stretched a boundless plain
Of sandy wilderness, all black and void,
And as I looked around, distress and fear
Came creeping over me, when at my side,
Close at my side, an uncouth shape appeared
Upon a dromedary, mounted high.
He seemed an Arab of the Bedouin tribes:
A lance he bore, and underneath one arm
A stone, and in the opposite hand a shell
Of a surpassing brightness. At the sight
Much I rejoiced, not doubting but a guide
Was present, one who with unerring skill
Would through the desert lead me; and while yet
I looked and looked, self-questioned what this freight
Which the new-comer carried through the waste
Could mean, the Arab told me that the stone
(To give it in the language of the dream)
Was "Euclid's Elements," and "This," said he,
"Is something of more worth;" and at the word
Stretched forth the shell, so beautiful in shape,
In colour so resplendent, with command
That I should hold it to my ear. I did so,
And heard that instant in an unknown tongue,
Which yet I understood, articulate sounds,
A loud prophetic blast of harmony;
An Ode, in passion uttered, which foretold
Destruction to the children of the earth
By deluge, now at hand. No sooner ceased
The song, than the Arab with calm look declared
That all would come to pass of which the voice 0
Had given forewarning, and that he himself
Was going then to bury those two books:
The one that held acquaintance with the stars,
And wedded soul to soul in purest bond
Of reason, undisturbed by space or time;
The other that was a god, yea many gods,
Had voices more than all the winds, with power
To exhilarate the spirit, and to soothe,
Through every clime, the heart of human kind.
While this was uttering, strange as it may seem,
I wondered not, although I plainly saw
The one to be a stone, the other a shell;
Nor doubted once but that they both were books,
Having a perfect faith in all that passed.
Far stronger, now, grew the desire I felt
To cleave unto this man; but when I prayed
To share his enterprise, he hurried on
Reckless of me: I followed, not unseen,
For oftentimes he cast a backward look,
Grasping his twofold treasure.--Lance in rest,
He rode, I keeping pace with him; and now
He, to my fancy, had become the knight
Whose tale Cervantes tells; yet not the knight,
But was an Arab of the desert too;
Of these was neither, and was both at once.
His countenance, meanwhile, grew more disturbed;
And, looking backwards when he looked, mine eyes
Saw, over half the wilderness diffused,
A bed of glittering light: I asked the cause:
"It is," said he, "the waters of the deep
Gathering upon us;" quickening then the pace
Of the unwieldy creature he bestrode,
He left me: I called after him aloud;
He heeded not; but, with his twofold charge
Still in his grasp, before me, full in view,
Went hurrying o'er the illimitable waste,
With the fleet waters of a drowning world
In chase of him; whereat I waked in terror,
And saw the sea before me, and the book,
In which I had been reading, at my side.

Full often, taking from the world of sleep
This Arab phantom, which I thus beheld,
This semi-Quixote, I to him have given
A substance, fancied him a living man,
A gentle dweller in the desert, crazed
By love and feeling, and internal thought
Protracted among endless solitudes;
Have shaped him wandering upon this quest!
Nor have I pitied him; but rather felt
Reverence was due to a being thus employed;
And thought that, in the blind and awful lair
Of such a madness, reason did lie couched.
Enow there are on earth to take in charge
Their wives, their children, and their virgin loves,
Or whatsoever else the heart holds dear;
Enow to stir for these; yea, will I say,
Contemplating in soberness the approach
Of an event so dire, by signs in earth
Or heaven made manifest, that I could share
That maniac's fond anxiety, and go
Upon like errand. Oftentimes at least
Me hath such strong entrancement overcome,
When I have held a volume in my hand,
Poor earthly casket of immortal verse,
Shakespeare, or Milton, labourers divine!

Great and benign, indeed, must be the power
Of living nature, which could thus so long
Detain me from the best of other guides
And dearest helpers, left unthanked, unpraised,
Even in the time of lisping infancy;
And later down, in prattling childhood even,
While I was travelling back among those days,
How could I ever play an ingrate's part?
Once more should I have made those bowers resound,
By intermingling strains of thankfulness
With their own thoughtless melodies; at least
It might have well beseemed me to repeat
Some simply fashioned tale, to tell again,
In slender accents of sweet verse, some tale
That did bewitch me then, and soothes me now.
O Friend! O Poet! brother of my soul,
Think not that I could pass along untouched
By these remembrances. Yet wherefore speak?
Why call upon a few weak words to say
What is already written in the hearts
Of all that breathe?--what in the path of all
Drops daily from the tongue of every child,
Wherever man is found? The trickling tear
Upon the cheek of listening Infancy
Proclaims it, and the insuperable look
That drinks as if it never could be full.

That portion of my story I shall leave
There registered: whatever else of power
Or pleasure sown, or fostered thus, may be
Peculiar to myself, let that remain
Where still it works, though hidden from all search
Among the depths of time. Yet is it just
That here, in memory of all books which lay
Their sure foundations in the heart of man,
Whether by native prose, or numerous verse, 0
That in the name of all inspired souls--
From Homer the great Thunderer, from the voice
That roars along the bed of Jewish song,
And that more varied and elaborate,
Those trumpet-tones of harmony that shake
Our shores in England,--from those loftiest notes
Down to the low and wren-like warblings, made
For cottagers and spinners at the wheel,
And sun-burnt travellers resting their tired limbs,
Stretched under wayside hedge-rows, ballad tunes,
Food for the hungry ears of little ones,
And of old men who have survived their joys--
'Tis just that in behalf of these, the works,
And of the men that framed them, whether known
Or sleeping nameless in their scattered graves,
That I should here assert their rights, attest
Their honours, and should, once for all, pronounce
Their benediction; speak of them as Powers
For ever to be hallowed; only less,
For what we are and what we may become,
Than Nature's self, which is the breath of God,
Or His pure Word by miracle revealed.

Rarely and with reluctance would I stoop
To transitory themes; yet I rejoice,
And, by these thoughts admonished, will pour out
Thanks with uplifted heart, that I was reared
Safe from an evil which these days have laid
Upon the children of the land, a pest
That might have dried me up, body and soul.
This verse is dedicate to Nature's self,
And things that teach as Nature teaches: then,
Oh! where had been the Man, the Poet where,
Where had we been, we two, beloved Friend!
If in the season of unperilous choice,
In lieu of wandering, as we did, through vales
Rich with indigenous produce, open ground
Of Fancy, happy pastures ranged at will,
We had been followed, hourly watched, and noosed,
Each in his several melancholy walk
Stringed like a poor man's heifer at its feed,
Led through the lanes in forlorn servitude;
Or rather like a stalled ox debarred
From touch of growing grass, that may not taste
A flower till it have yielded up its sweets
A prelibation to the mower's scythe.

Behold the parent hen amid her brood,
Though fledged and feathered, and well pleased to part
And straggle from her presence, still a brood,
And she herself from the maternal bond
Still undischarged; yet doth she little more
Than move with them in tenderness and love,
A centre to the circle which they make;
And now and then, alike from need of theirs
And call of her own natural appetites,
She scratches, ransacks up the earth for food,
Which they partake at pleasure. Early died
My honoured Mother, she who was the heart
And hinge of all our learnings and our loves:
She left us destitute, and, as we might,
Trooping together. Little suits it me
To break upon the sabbath of her rest
With any thought that looks at others' blame;
Nor would I praise her but in perfect love.
Hence am I checked: but let me boldly say,
In gratitude, and for the sake of truth,
Unheard by her, that she, not falsely taught,
Fetching her goodness rather from times past,
Than shaping novelties for times to come,
Had no presumption, no such jealousy,
Nor did by habit of her thoughts mistrust
Our nature, but had virtual faith that He
Who fills the mother's breast with innocent milk,
Doth also for our nobler part provide,
Under His great correction and control,
As innocent instincts, and as innocent food;
Or draws, for minds that are left free to trust
In the simplicities of opening life,
Sweet honey out of spurned or dreaded weeds.
This was her creed, and therefore she was pure
From anxious fear of error or mishap,
And evil, overweeningly so called;
Was not puffed up by false unnatural hopes,
Nor selfish with unnecessary cares,
Nor with impatience from the season asked
More than its timely produce; rather loved
The hours for what they are, than from regard
Glanced on their promises in restless pride.
Such was she--not from faculties more strong
Than others have, but from the times, perhaps,
And spot in which she lived, and through a grace
Of modest meekness, simple-mindedness,
A heart that found benignity and hope,
Being itself benign.
My drift I fear
Is scarcely obvious; but, that common sense
May try this modern system by its fruits,
Leave let me take to place before her sight
A specimen pourtrayed with faithful hand.
Full early trained to worship seemliness,
This model of a child is never known
To mix in quarrels; that were far beneath 0
Its dignity; with gifts he bubbles o'er
As generous as a fountain; selfishness
May not come near him, nor the little throng
Of flitting pleasures tempt him from his path;
The wandering beggars propagate his name,
Dumb creatures find him tender as a nun,
And natural or supernatural fear,
Unless it leap upon him in a dream,
Touches him not. To enhance the wonder, see
How arch his notices, how nice his sense
Of the ridiculous; not blind is he
To the broad follies of the licensed world,
Yet innocent himself withal, though shrewd,
And can read lectures upon innocence;
A miracle of scientific lore,
Ships he can guide across the pathless sea,
And tell you all their cunning; he can read
The inside of the earth, and spell the stars;
He knows the policies of foreign lands;
Can string you names of districts, cities, towns,
The whole world over, tight as beads of dew
Upon a gossamer thread; he sifts, he weighs;
All things are put to question; he must live
Knowing that he grows wiser every day
Or else not live at all, and seeing too
Each little drop of wisdom as it falls
Into the dimpling cistern of his heart:
For this unnatural growth the trainer blame,
Pity the tree.--Poor human vanity,
Wert thou extinguished, little would be left
Which he could truly love; but how escape?
For, ever as a thought of purer birth
Rises to lead him toward a better clime,
Some intermeddler still is on the watch
To drive him back, and pound him, like a stray,
Within the pinfold of his own conceit.
Meanwhile old grandame earth is grieved to find
The playthings, which her love designed for him,
Unthought of: in their woodland beds the flowers
Weep, and the river sides are all forlorn.
Oh! give us once again the wishing-cap
Of Fortunatus, and the invisible coat
Of Jack the Giant-killer, Robin Hood,
And Sabra in the forest with St. George!
The child, whose love is here, at least, doth reap
One precious gain, that he forgets himself.

These mighty workmen of our later age,
Who, with a broad highway, have overbridged
The froward chaos of futurity,
Tamed to their bidding; they who have the skill
To manage books, and things, and make them act
On infant minds as surely as the sun
Deals with a flower; the keepers of our time,
The guides and wardens of our faculties,
Sages who in their prescience would control
All accidents, and to the very road
Which they have fashioned would confine us down,
Like engines; when will their presumption learn,
That in the unreasoning progress of the world
A wiser spirit is at work for us,
A better eye than theirs, most prodigal
Of blessings, and most studious of our good,
Even in what seem our most unfruitful hours?

There was a Boy: ye knew him well, ye cliffs
And islands of Winander!--many a time
At evening, when the earliest stars began
To move along the edges of the hills,
Rising or setting, would he stand alone
Beneath the trees or by the glimmering lake,

And there, with fingers interwoven, both hands
Pressed closely palm to palm, and to his mouth
Uplifted, he, as through an instrument,
Blew mimic hootings to the silent owls,
That they might answer him; and they would shout
Across the watery vale, and shout again,
Responsive to his call, with quivering peals,
And long halloos and screams, and echoes loud,
Redoubled and redoubled, concourse wild
Of jocund din; and, when a lengthened pause
Of silence came and baffled his best skill,
Then sometimes, in that silence while he hung
Listening, a gentle shock of mild surprise
Has carried far into his heart the voice
Of mountain torrents; or the visible scene
Would enter unawares into his mind,
With all its solemn imagery, its rocks,
Its woods, and that uncertain heaven, received
Into the bosom of the steady lake.

This Boy was taken from his mates, and died
In childhood, ere he was full twelve years old.
Fair is the spot, most beautiful the vale
Where he was born; the grassy churchyard hangs
Upon a slope above the village school,
And through that churchyard when my way has led
On summer evenings, I believe that there
A long half hour together I have stood
Mute, looking at the grave in which he lies!
Even now appears before the mind's clear eye
That self-same village church; I see her sit
(The throned Lady whom erewhile we hailed) 0
On her green hill, forgetful of this Boy
Who slumbers at her feet,--forgetful, too,
Of all her silent neighbourhood of graves,
And listening only to the gladsome sounds
That, from the rural school ascending, play
Beneath her and about her. May she long
Behold a race of young ones like to those
With whom I herded!--(easily, indeed,
We might have fed upon a fatter soil
Of arts and letters--but be that forgiven)--
A race of real children; not too wise,
Too learned, or too good; but wanton, fresh,
And bandied up and down by love and hate;
Not unresentful where self-justified;
Fierce, moody, patient, venturous, modest, shy;
Mad at their sports
like withered leaves in winds;
Though doing wrong and suffering, and full oft
Bending beneath our life's mysterious weight
Of pain, and doubt, and fear, yet yielding not
In happiness to the happiest upon earth.
Simplicity in habit, truth in speech,
Be these the daily strengtheners of their minds;
May books and Nature be their early joy!
And knowledge, rightly honoured with that name--
Knowledge not purchased by the loss of power!

Well do I call to mind the very week
When I was first intrusted to the care
Of that sweet Valley; when its paths, its shores,
And brooks were like a dream of novelty
To my half-infant thoughts; that very week,
While I was roving up and down alone,
Seeking I knew not what, I chanced to cross
One of those open fields, which, shaped like ears,
Make green peninsulas on Esthwaite's Lake:
Twilight was coming on, yet through the gloom
Appeared distinctly on the opposite shore
A heap of garments, as if left by one
Who might have there been bathing. Long I watched,
But no one owned them; meanwhile the calm lake
Grew dark with all the shadows on its breast,
And, now and then, a fish up-leaping snapped
The breathless stillness. The succeeding day,
Those unclaimed garments telling a plain tale
Drew to the spot an anxious crowd; some looked
In passive expectation from the shore,
While from a boat others hung o'er the deep,
Sounding with grappling irons and long poles.
At last, the dead man, 'mid that beauteous scene
Of trees and hills and water, bolt upright
Rose, with his ghastly face, a spectre shape
Of terror; yet no soul-debasing fear,
Young as I was, a child not nine years old,
Possessed me, for my inner eye had seen
Such sights before, among the shining streams
Of faery land, the forest of romance.
Their spirit hallowed the sad spectacle
With decoration of ideal grace;
A dignity, a smoothness, like the works
Of Grecian art, and purest poesy.

A precious treasure had I long possessed,
A little yellow, canvas-covered book,
A slender abstract of the Arabian tales;
And, from companions in a new abode,
When first I learnt, that this dear prize of mine
Was but a block hewn from a mighty quarry--
That there were four large volumes, laden all
With kindred matter, 'twas to me, in truth,
A promise scarcely earthly. Instantly,
With one not richer than myself, I made
A covenant that each should lay aside
The moneys he possessed, and hoard up more,
Till our joint savings had amassed enough
To make this book our own. Through several months,
In spite of all temptation, we preserved
Religiously that vow; but firmness failed,
Nor were we ever masters of our wish.

And when thereafter to my father's house
The holidays returned me, there to find
That golden store of books which I had left,
What joy was mine! How often in the course
Of those glad respites, though a soft west wind
Ruffled the waters to the angler's wish,
For a whole day together, have I lain
Down by thy side, O Derwent! murmuring stream,
On the hot stones, and in the glaring sun,
And there have read, devouring as I read,
Defrauding the day's glory, desperate!
Till with a sudden bound of smart reproach,
Such as an idler deals with in his shame,
I to the sport betook myself again.

A gracious spirit o'er this earth presides,
And o'er the heart of man; invisibly
It comes, to works of unreproved delight,
And tendency benign, directing those
Who care not, know not, think not, what they do.
The tales that charm away the wakeful night
In Araby, romances; legends penned
For solace by dim light of monkish lamps;
Fictions, for ladies of their love, devised
By youthful squires; adventures endless, spun 0
By the dismantled warrior in old age,
Out of the bowels of those very schemes
In which his youth did first extravagate;
These spread like day, and something in the shape
Of these will live till man shall be no more.
Dumb yearnings, hidden appetites, are ours,
And 'they must' have their food. Our childhood sits,
Our simple childhood, sits upon a throne
That hath more power than all the elements.
I guess not what this tells of Being past,
Nor what it augurs of the life to come;
But so it is; and, in that dubious hour--
That twilight--when we first begin to see
This dawning earth, to recognise, expect,
And, in the long probation that ensues,
The time of trial, ere we learn to live
In reconcilement with our stinted powers;
To endure this state of meagre vassalage,
Unwilling to forego, confess, submit,
Uneasy and unsettled, yoke-fellows
To custom, mettlesome, and not yet tamed
And humbled down--oh! then we feel, we feel,
We know where we have friends. Ye dreamers, then,
Forgers of daring tales! we bless you then,
Impostors, drivellers, dotards, as the ape
Philosophy will call you: 'then' we feel
With what, and how great might ye are in league,
Who make our wish, our power, our thought a deed,
An empire, a possession,--ye whom time
And seasons serve; all Faculties to whom
Earth crouches, the elements are potter's clay,
Space like a heaven filled up with northern lights,
Here, nowhere, there, and everywhere at once.

Relinquishing this lofty eminence
For ground, though humbler, not the less a tract
Of the same isthmus, which our spirits cross
In progress from their native continent
To earth and human life, the Song might dwell
On that delightful time of growing youth,
When craving for the marvellous gives way
To strengthening love for things that we have seen;
When sober truth and steady sympathies,
Offered to notice by less daring pens,
Take firmer hold of us, and words themselves
Move us with conscious pleasure.
I am sad
At thought of rapture now for ever flown;
Almost to tears I sometimes could be sad
To think of, to read over, many a page,
Poems withal of name, which at that time
Did never fail to entrance me, and are now
Dead in my eyes, dead as a theatre
Fresh emptied of spectators. Twice five years
Or less I might have seen, when first my mind
With conscious pleasure opened to the charm
Of words in tuneful order, found them sweet
For their own 'sakes', a passion, and a power;
And phrases pleased me chosen for delight,
For pomp, or love. Oft, in the public roads
Yet unfrequented, while the morning light
Was yellowing the hill tops, I went abroad
With a dear friend, and for the better part
Of two delightful hours we strolled along
By the still borders of the misty lake,
Repeating favourite verses with one voice,
Or conning more, as happy as the birds
That round us chaunted. Well might we be glad,
Lifted above the ground by airy fancies,
More bright than madness or the dreams of wine;
And, though full oft the objects of our love
Were false, and in their splendour overwrought,
Yet was there surely then no vulgar power
Working within us,--nothing less, in truth,
Than that most noble attribute of man,
Though yet untutored and inordinate,
That wish for something loftier, more adorned,
Than is the common aspect, daily garb,
Of human life. What wonder, then, if sounds
Of exultation echoed through the groves!
For, images, and sentiments, and words,
And everything encountered or pursued
In that delicious world of poesy,
Kept holiday, a never-ending show,
With music, incense, festival, and flowers!

Here must we pause: this only let me add,
From heart-experience, and in humblest sense
Of modesty, that he, who in his youth
A daily wanderer among woods and fields
With living Nature hath been intimate,
Not only in that raw unpractised time
Is stirred to ecstasy, as others are,
By glittering verse; but further, doth receive,
In measure only dealt out to himself,
Knowledge and increase of enduring joy
From the great Nature that exists in works
Of mighty Poets. Visionary power
Attends the motions of the viewless winds,
Embodied in the mystery of words:
There, darkness makes abode, and all the host
Of shadowy things work endless changes,--there,
As in a mansion like their proper home
, 0
Even forms and substances are circumfused
By that transparent veil with light divine,
And, through the turnings intricate of verse,
Present themselves as objects recognised,
In flashes, and with glory not their own.

une vraie épopée même si wordworth est au fond romantique
j'aime ce poète

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MessageSujet: Re: Selected English pOems   Dim 14 Fév - 17:41

I try to...!

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MessageSujet: Re: Selected English pOems   Dim 14 Fév - 18:24

yes abdennacer..the importance of this poem is that by this arab dream, some critics say that he was seeking inspiration from arab culture as a source of beauty, passion,love of nature, great poetry & sciences, paving the way along with other poets such as colerigde & shelley, to western romanticism.

this poem has attracted extensive commentries & stirred up endless critical writings & speculation especially about the poet's mysterious dream, the arab traveler he encoutered crossing the sandy desert on a dromedary & his accessories namely the stone & the shell not to mention the traveler's mission to bury his 'twofold treasure' before 'the fleet waters of the drowning world' destroy them.

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MessageSujet: Re: Selected English pOems   Ven 26 Mar - 7:31

africa

Claude McKay




The sun sought thy dim bed and brought forth light,
The sciences were sucklings at thy breast;
When all the world was young in pregnant night
Thy slaves toiled at thy monumental best.
Thou ancient treasure-land, thou modern prize,
New peoples marvel at thy pyramids!
The years roll on, thy sphinx of riddle eyes
Watches the mad world with immobile lids.
The Hebrews humbled them at Pharaoh's name.
Cradle of Power! Yet all things were in vain!
Honor and Glory, Arrogance and Fame!
They went. The darkness swallowed thee again.
Thou art the harlot, now thy time is done,
Of all the mighty nations of the sun.

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MessageSujet: Re: Selected English pOems   Sam 24 Avr - 18:45

Wilfred Owen


Greater Love

Red lips are not so red
As the stained stones kissed by the English dead.
Kindness of wooed and wooer
Seems shame to their love pure.
O Love, your eyes lose lure
When I behold eyes blinded in my stead!

Your slender attitude
Trembles not exquisite like limbs knife-skewed,
Rolling and rolling there
Where God seems not to care;
Till the fierce Love they bear
Cramps them in death's extreme decrepitude.

Your voice sings not so soft,—
Though even as wind murmuring through raftered loft,—
Your dear voice is not dear,
Gentle, and evening clear,
As theirs whom none now hear
Now earth has stopped their piteous mouths that coughed.

Heart, you were never hot,
Nor large, nor full like hearts made great with shot;
And though your hand be pale,
Paler are all which trail
Your cross through flame and hail:
Weep, you may weep, for you may touch them not.

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MessageSujet: Re: Selected English pOems   Sam 24 Avr - 18:55

Wilfred Owen was born in Oswestry, Shropshire and was educated at Birkenhead Institute and a technical college in Shrewsbury. Probably influenced by his deeply religious mother, he went on to work as a lay assistant to the vicar of Dunsden in 1913 and later that year left England to teach English in France.


In 1915, he enlisted in the Artists' Rifles and served at the Somme that winter. Suffering from shell shock, he was sent to Craiglochhart Hospital, Edinburgh where he met and was encouraged by Siegfried Sassoon. Most of his best poetry was written and polished during his convalescence there. He returned to the front, having spurned the offer of a home-based training position, and was killed one week before the end of the war at the age of twenty-five, after having been awarded the Military Cross the previous month.

His poetry, exemplified by Anthem for Doomed Youth, encapulates the futility and horror of war and his very name symbolises the sacrifice of innocence to its cause.




chennOufmed a écrit:
Wilfred Owen


Greater Love

Red lips are not so red
As the stained stones kissed by the English dead.
Kindness of wooed and wooer
Seems shame to their love pure.
O Love, your eyes lose lure
When I behold eyes blinded in my stead!

Your slender attitude
Trembles not exquisite like limbs knife-skewed,
Rolling and rolling there
Where God seems not to care;
Till the fierce Love they bear
Cramps them in death's extreme decrepitude.

Your voice sings not so soft,—
Though even as wind murmuring through raftered loft,—
Your dear voice is not dear,
Gentle, and evening clear,
As theirs whom none now hear
Now earth has stopped their piteous mouths that coughed.

Heart, you were never hot,
Nor large, nor full like hearts made great with shot;
And though your hand be pale,
Paler are all which trail
Your cross through flame and hail:
Weep, you may weep, for you may touch them not.

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MessageSujet: Re: Selected English pOems   Ven 7 Mai - 18:42

My Mistress eyes
Sonnet 130
William Shakespeare
My mistress' eyes are nothing like the sun;
Coral is far more red than her lips' red;
If snow be white, why then her breasts are dun;
If hairs be wires, black wires grow on her head.
I have seen roses damasked, red and white,
But no such roses see I in her cheeks;
And in some perfumes is there more delight
Than in the breath that from my mistress reeks.
I love to hear her speak, yet well I know
That music hath a far more pleasing sound;
I grant I never saw a goddess go;
My mistress, when she walks, treads on the ground.
And yet, by heaven, I think my love as rare
As any she belied with false compare.

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MessageSujet: Re: Selected English pOems   Jeu 20 Mai - 19:07

She Dried Her Tears

by Emily Bronte




She dried her tears and they did smile
To see her cheeks' returning glow
How little dreaming all the while
That full heart throbbed to overflow

With that sweet look and lively tone
And bright eye shining all the day
They could not guess at midnight lone
How she would weep the time away


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MessageSujet: Re: Selected English pOems   Jeu 20 Mai - 19:14

chennOufmed a écrit:
She Dried Her Tears

by Emily Bronte




She dried her tears and they did smile
To see her cheeks' returning glow
How little dreaming all the while
That full heart throbbed to overflow

With that sweet look and lively tone
And bright eye shining all the day
They could not guess at midnight lone
How she would weep the time away



Emily Bronte Biography









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Emily Bronte (1818-1848) was born in Thornton, Yorkshire, in the north of England. Her father, the Rev. Patrick Bronte, had moved from Ireland to Weatherfield, in Essex, where he taught in Sunday school. Eventually he settled in Yorkshire, the centre of his life's work. In 1812 he married Maria Branwell of Penzance. Patrick Bronte loved poetry, he published several books of prose and verse and wrote to local newspapers. In 1820 he moved to Hawort, a poverty-stricken little town at the edge of a large tract of moorland, where he served as a rector and chairman of the parish committee.

The lonely purple moors became one of the most important shaping forces in the life of the Bronte sisters. Their parsonage home, a small house, was of grey stone, two stories high. The front door opened almost directly on to the churchyard. In the upstairs was two bedrooms and a third room, scarcely bigger than a closet, in which the sisters played their games. After their mother died in 1821, the children spent most of their time in reading and composition. To escape their unhappy childhood, Anne, Emily, Charlotte, and their brother Branwell (1817-1848) created imaginary worlds - perhaps inspired by Jonathan Swift's Gulliver's Travels (1726). Emily and Anne created their own Gondal saga, and Bramwell and Charlotte recorded their stories about the kingdom of Angria in minute notebooks. After failing as a paiter and writer, Branwell took to drink and opium, worked then as a tutor and assistant clerk to a railway company. In 1842 he was dismissed and joined his sister Anne at Thorp Green Hall as a tutor. His affair with his employer's wife ended disastrously. He returned to Haworth in 1845, where he rapidly declined and died three years later.

Between the years 1824 and 1825 Emily attended the school at Cowan Bridge with Charlotte, and then was largely educated at home. Her father's bookshelf offered a variety of reading: the Bible, Homer, Virgil, Shakespeare, Milton, Byron, Scott and many others. The children also read enthusiastically articles on current affairs and intellectual disputes in Blackwood's Edinburgh Magazine, Fraser's Magazine, and Edinburgh Review.

In 1835 Emily Bronte was at Roe Head. There she suffered from homesickness and returned after a few months to the moorland scenery of home. In 1837 she became a governess at Law Hill, near Halifax, where she spent six months. Emily worked at Miss Patchet's shdoll - according to Charlotte - "from six in the morning until near eleven at night, with only one half-hour of exercise between" and called it slavery. To facilitate their plan to keep school for girls, Emily and Charlotte Bronte went in 1842 to Brussels to learn foreign languages and school management. Emily returned on the same year to Haworth. In 1842 Aunt Branwell died. When she was no longer taking care of the house and her brother-in-law, Emily agreed to stay with her father.

Unlike Charlotte, Emily had no close friends. She wrote a few letters and was interested in mysticism. Her first novel, Wuthering Heights (1847), a story-within-a-story, did not gain immediate success as Charlotte's Jane Eyre, but it has acclaimed later fame as one of the most intense novels written in the English language. In contrast to Charlotte and Anne, whose novels take the form of autobiographies written by authoritative and reliable narrators, Emily introduced an unreliable narrator, Lockwood. He constantly misinterprets the reactions and interactions of the inhabitants of Wuthering Heights. More reliable is Nelly Dean, the housekeeper, who has lived for two generations with the novel's two principal families, the Earnshaws and the Lintons.

Lockwood is a gentleman visiting the Yorkshire moors where the novel is set. At night Lockwood dreams of hearing a fell-fire sermon and then, awakening, he records taps on the window of his room. "... I discerned, obscurely, a child's face looking through the window - terror made me cruel; and, finding it useless to attempt shaking the creature off, I pulled its wrist on the broken pane, and rubbed it to and fro till the blood ran down and soaked the bedclothes: still it wailed, "Let me in!" and maintained its tenacious gripe, almost maddening me with fear." The hands belong to Catherine Linton, whose eerie appearance echo the violent turns of the plot. In a series of flashbacks and time shifts, Bronte draws a powerful picture of the enigmatic Heathcliff, who is brought to Heights from the streets of Liverpool by Mr Earnshaw. Heathcliff is treated as Earnshaw's own children, Catherine and Hindley. After Mr. Earnshaw's death Heathcliff is bullied by Hindley and he leaves the house, returning three years later. Meanwhile Catherine marries Edgar Linton. Heathcliff 's destructive force is unleashed. Catherine dies giving birth to a girl, another Catherine. Heathcliff curses his true love: "... Catherine Earnshaw, may you not rest, as long as I am living! You said I killed you - haunt me then!" Heathcliff marries Isabella Linton, Edgar's sister, who flees to the south from her loveless marriage. Their son Linton and Catherine are married, but the always sickly Linton dies. Hareton, Hindley's son, and the young widow became close. Increasingly isolated and alienated from daily life, Heathcliff experiences visions, and he longs for the death that will reunite him with Catherine.

Wuthering Heights has been filmed several times. William Wyler's version from 1939, starring Merle Oberon as Cathy and Laurence Olivier as Heathcliff, is considered on of the screen's classic romances. However, the English writer Graham Greene criticized the reconstructing of the Yorkshire moors in the Conejo Hills in California. "How much better they would have made Wuthering Heights in France," wrote Greene. "They know there how to shoot sexual passion, but in this Californian-constructed Yorkshire, among the sensitive neurotic English voices, sex is cellophaned; there is no egotism, no obsession.... So a lot of reverence has gone into a picture which should have been as coarse as a sewer." (Spectator, May 5, 1939) Luis Bunñuel set the events of the amour fou in an arid Mexican landscape. The music was based on melodies from Tristan and Isolde by Richard Wagner.

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MessageSujet: Re: Selected English pOems   Jeu 20 Mai - 19:36

J'ai aimé ce poème de la grande E.B....poème que je ne connaissais pas...
Thank you Med!


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MessageSujet: Re: Selected English pOems   Ven 21 Mai - 19:06

thanks driss for your kind comment.thanks for the video too..

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MessageSujet: Re: Selected English pOems   Dim 6 Juin - 17:07

MACBETH :


To-morrow, and to-morrow, and to-morrow,
Creeps in this petty pace from day to day
To the last syllable of recorded time,
And all our yesterdays have lighted fools
The way to dusty death. Out, out, brief candle!
Life's but a walking shadow, a poor player
That struts and frets his hour upon the stage
And then is heard no more: it is a tale
Told by an idiot, full of sound and fury,
Signifying nothing.


The Tragedy of Macbeth , shakespeare

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MessageSujet: Re: Selected English pOems   Lun 20 Déc - 16:12

Give Me Women, Wine, and Snuff

BY
John Keats



GIVE me women, wine, and snuff
Untill I cry out "hold, enough!"
You may do so sans objection
Till the day of resurrection:
For, bless my beard, they aye shall be
My beloved Trinity.

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MessageSujet: Re: Selected English pOems   Sam 1 Jan - 8:06








Samuel Taylor Coleridge
Time, Real and Imaginary, an allegory




ON the wide level of a mountain's head
(I knew not where, but 'twas some faery place),
Their pinions, ostrich-like, for sails outspread,
Two lovely children run an endless race,
A sister and a brother!
This far outstripp'd the other;
Yet ever runs she with reverted face,
And looks and listens for the boy behind:
For he, alas! is blind!
O'er rough and smooth with even step he pass'd,
And knows not whether he be first or last.

Samuel Taylor Coleridge


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Dernière édition par chennOufmed le Ven 4 Nov - 18:08, édité 2 fois
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MessageSujet: Re: Selected English pOems   Ven 4 Nov - 18:05


“After great pain, a formal feeling comes”

Emily Dickinson


After great pain a formal feeling comes--
The nerves sit ceremonious like tombs;
The stiff Heart questions--was it He that bore?
And yesterday--or centuries before?
The feet, mechanical, go round
A wooden way
Of ground, or air, or ought,
Regardless grown,
A quartz contentment, like a stone.
This is the hour of lead
Remembered if outlived,
As freezing persons recollect the snow--
First chill, then stupor, then the letting go.


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MessageSujet: Re: Selected English pOems   Jeu 12 Jan - 16:36

You Can If You Think You Can!

If you think you are beaten, you are,
If you think you dare not, you don't.
If you like to win, but you think you can't,
It is almost certain you won't.
If you think you'll lose, you're lost,
For out in the world we find,
Success begins with a fellow's will.
It's all in the state of mind.
If you think you are outclassed, you are,
You've got to think high to rise,
You've got to be sure of yourself before
You can ever win a prize.
Life's battles don't always go
To the stronger or faster man.
But soon or late the man who wins,
Is the man who thinks he can.

~ C. W. Longenecker ~


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